SUMMER INTENSIVE 2018 / still some spaces available
Deepening the Dance - Aligning into Poetic Space
Lily Kiara & guest teacher Laressa Dickey
In this Summer Intensive, Lily Kiara collaborates with poet, dancer, somatic practisioner Laressa Dickey, who will offer two sessions. Together they will draw from Skinner Releasing Technique (SRT)™, Improvisation, craniosacral theory and the practise of writing poetry.
photo by © Sara Anke Morris / Lily Kiara in Towards Disappearance
“You must tilt your head to see the world”. - Laressa Dickey
ABOUT THE WORKSHOP:
We will tune into the possibility of suspending and expanding into different layers of the physical and spacious self. Working with images is an essential part of SRT. These images often are creating different kinds of spaces inside the body. How deep inside and how far outside can we suspend into space and how may this affect the way we dance together? How does working with imagery affect our imagination when we make dances?
We include the practise and generosity of witnessing, watching and being watched, seeing and being seen. How does being seen support and affect our dance?
Writing will be part of our practise, as another way to tune into the subconscious, to reveal, to release, sometimes to remember and in other moments to forget (for-get). Releasing into writing into releasing writing. How does working with imagery affect our imagination when we write?
What kind of dances and writings are born out of the space of stillness? What arises, what deepens, what aligns? What is revealed in layers of the self and in relationship, between us?
You can find more about SKINNER RELEASING TECHNIQUE (SRT)™ HERE:
ABOUT CRANIOSACRAL THERAPY:
ABOUT LILY KIARA & LARESSA DICKEY:
Laressa Dickey is a mover, bodyworker, poet, and curious soul. She’s the author of 3 books of poems including Roam, and several chapbooks including A Piece of Information About His Invisibility. Since 2005, she’s been using movement improvisation to inform her writing and vice versa. Her bodywork is informed by Craniosacral Therapy, BMC, Amerta Movement practice, integrative massage techniques and an attuned, empathetic imagination.
“Laressa Dickey’s debut full-length collection of poetry originates deep within the spine. In a language more felt than fathomed, Dickey choreographs sounds and images in swirling, sinewy gestures, … … They are poems to be felt with the whole body, ankles and all.” Excerpt from a review about Bottomland, by Sarah Suksuri
opposite of café Belcampo and the cinema, up the round stairs
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